Welcome to My Life -n

Não ! Não saia do blog agora, as tags podem ser erradas, mas você está no blog certo .

Usei XXX, Sex, e pussy (risos) para atraírem tipos de pessoa como vocês, para observarem minha vida .

Tá, agora pode sair do blog .

Enfim pessoal, fiz esse blog pra amigos, mini-fans (*o*), colegas de classe, ou seja, todos que me conhecem, ou querem me conhecer.  Vou postar nesse blog tudo que eu puder colocar sobre minha vida pessoal,  coisas que eu achar interessante, botar a boca no trombone mesmo e comentar vários acontecidos .

Pensei assim, já que eu estou vivendo a melhor fase da minha vida mesmo, que se dane, vou fazer tudo que estiver ao meu alcançe .

Aguardem por posts, e apreciem, fiz uma conta no Flickr só para postar albuns pro blog .

Com amor, Nathanic

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The Courage to ASK... the right questions

This is the outline of this past weeks Sunday School lesson.

Matthew 21:22 NIV

If you believe, you will receive whatever you ask for in prayer.”

Luke 11:9 NIV

“So I say to you: Ask and it will be given to you; seek and you will find; knock and the door will be opened to you.

Proverbs 30:7,8

7. “Two things I ask of you, O Lord; do not refuse me before I die:

8. Keep falsehood and lies far from me; give me neither poverty nor riches, but give me only my daily bread.

Ecclesiastes 7:10

10. Do not say, “Why were the old days better than these?” For it is not wise to ask such questions.

Introduction

According to crosswalk.com, ASK is found in the Bible 176 times.

• God asked Adam where he was

• Peter asked to come out on the water

• Abraham asked God to spare Sodom

• Jesus asked for the cup to pass

• Solomon asked for wisdom

• David asked God for direction before battle

Questions are all over the Bible

There are scores of questions in the Bible that simply didn’t use the word ‘ask’.

There are some questions that are easy to ask:

• Hey, can I sit with you?

• May I borrow $5?

• Will you excuse me while I go to the bathroom?

• How are you today?

A question is mean to be answered. Even rhetorical questions need answering.

• That can be the danger of questions.

• Sometimes we don’t ask questions because we don’t really want answers or we don’t know if we can handle them.

Hard questions:

• The square root of 5,423?

• How far is the sun from the moon?

• (Ask some Biblical questions)

How about these?

• Why don’t you feel completely fulfilled in life?

• Are you as happy as you know you should be?

• Why are you so depressed?

• Why are you angry?

• Why can’t you forgive?

• Why can’t you move on?

• Am I really good enough?

• Do they really love me?

• Is God REALLY out there?

These are tough questions.

Preachers and well meaning people have tried to sidestep some of these questions because they are afraid that you’ll find yourself unhappy with Christianity.

However, Christ came to give answers not leave you with doubts.

We’re going to discuss three different directions you need to aim your questions today.

These are not questions that I’m going to give you the answers to.

You have to do that.

Ask yourself.

The real questions.

Whenever someone decides to lose weight, the first thing most diet books tries to do is to work on the reader’s mind.

- The head’s got to get right first.

Where am I going?

• Did you know that you have a future?

God wants you to be successful.

We hear all these speeches given this time of the year to kids about making smart choices and planning for the best future possible. Adults need to hear that too.

Am I happy?

• What makes you happy?

o Is God even in the top ten?

Do you ever get excited thinking about God?

Does your relationship with God bring you joy?

• If none of your happiness comes from the Lord, there’s a chance you haven’t seen all that joy can be.

What is my purpose?

• Do you have a purpose?

• Did you know that we’re all a ‘gift-mix’ that we’ve gained through life and experience?

• There’s something that God needs you to do that no one else can do quite like you do.

• We’ve said before that hands down the bestselling book of our generation pertaining to religion is the book, “The purpose driven life.” People want to feel like there’s more out there.

Ask God.

• What do you want from me?

What’s wrong with asking God hard questions?

• Do we think He’s not strong enough or that we’re gonna hurt His feelings?

• Why am I so unhappy?

• Why did I have to go through that situation?

• Where were you? (the footprints poem)

• Why don’t I feel close to you like I use to?

What is God asking you?

1. In John, Jesus asked Peter, “Do you love me?”

• Feed my sheep – (work in my kingdom)

o God gave us everything we have. That’s all He asks for in return.

2. In the parable, the master asked the servant, “What did you do with the talents I gave you?”

• What is your answer? Either, “I invested it and got a return.” Or “I buried it so no one could find it.”

3. In Isaiah, God asked the question, “Who will go?”

• Are you willing to tell others what you have seen?

o Isaiah was from Israel. God wasn’t asking him to move away – he was being asked to share the news with those around him.

Blog problems

So I now have about 15 different blogs that I check on a fairly regular basis. This is Coorain’s fault because he seems to have an endless supply of blogs he follows and his taste is actually very good.

The problem with that is that every time I read a blog, I have to fight the impulse to go to the very earliest entry and read every single post from oldest to newest. For some reason the idea that once I finish with that, the only posts I won’t have read are future ones is extremely appealing. It’s a huge time suck.

So I’m sitting on my bed (by which I mean my bed at Rill’s house, which is COVERED with cat hair; like so much cat hair that if I were allergic I would be dead. As it is, I’m just really itchy). And reading Texts From Last Night backwards from page 60. And the problem is that the TFLN on page 60 are not funny. I guess that’s because it wasn’t well known then, so they didn’t get many entries. But it’s depressing. Here’s a not funny one:

(212): brb k???!! plz don’t leave i want 2 tlk bout r rltnshp

Why is that funny? Because of the weird text abbreviations? Also, they’re all from the same area codes: 810, 313, 586, 248, 734, 312. In order, those area codes are: Flint, Michigan; Detroit, Michigan; Flint, Michigan; Pontiac, Michigan; Ypsilanti, Michigan; Central Chicago, Illinois.

I guess TFLN started in Michigan. Except for that one Central Chicago person.

Anyway now I’m on page 53 and it’s getting steadily funnier. Which is good.

Jon: The artificial lives of artists Duane Hanson and François Sagat ...

Though Duane Hanson and François Sagat couldn’t be more different in almost every way as artists (time period, medium, subject, and place in the art community), their work seems to have a similar question  at it’s root: what is the meaning of artifice in it’s relation to value? Both artists work plays with finding a solution to this question that, though at first seems to offer only whimsy, upon deeper viewing says more.

Duane Hanson (1925-96) rose to fame as a part of the mid 60’s pop art movement. His life-size wax sculptures were always studies of the non-celebrity, though throughout his working life the  dramatic nature of his subjects drastically changed. In his early career, Hanson’s sculptures mostly portrayed everyday people caught in the middle of adrenaline charged and often historically notable circumstances. These included tableauxs of race riots as well as the Vietnam war. As his work developed though, he began to exclusively create sculptures of everyday people doing everyday things (reading the paper, going grocery shopping, cleaning, etc). Of course, in the act of capturing these moments and putting them on display in a gallery, Hanson  imbues these normally unremarkable moments with a  sense of extreme importance.

At the same time, these wax sculptures also  appear to also be commenting on and deriving value via the only other comparable use of wax as an artistic medium: the modern day wax museums. It is impossible to view these sculptures and not immediately read “celebrity” into their characters. It is exactly this relationship to celebrity and artifice that gives these sculptures (and the images of them) power.  

(*It is hard to begin a discussion of François Sagat’s photography without first divulging that his most notable claim to fame so far has been his performance in numerous porn films. Interestingly, this knowledge both offers a deeper understanding of his work (as it largely comments on the human body and desire) while also initially prompting many viewers to dismiss his art as porn in and of it’s self. This is of course extremely reductive. There is a thin yet powerfully divisive line set by society between art and pornography. Most contemporary art lovers would agree that any evaluative system that immediately dismisses art simply for being sexually evocative is only damaging to the art community as a whole. Anyone who thinks otherwise is clearly to stupid to be allowed to make judgements about art in the first place*)

As a subject in his work, French multimedia artist François Sagat most commonly uses his own body. Through costume, lighting, and digital manipulation Sagat subtly tweaks his own image. Sagat has not chosen the easiest path for himself as a photographer. Artists have been creating similar work for decades, so it is easy to compare and judge his wrok agaist that of his forbearers. In addition to being part of a well established and hard to break into photographic tradition, Sagat also has to combat viewers first reading of his body.Resoundingly, this is to see it as model-ish/overtly sexual/fake. This is compounded by the fact that most viewers of his work are already aware of is career in the gay porn industry. These factors make it even more astounding that Sagat does seem to exceed on many levels.

In one of his newest series of images (pictured above) Sagat finds an ingenious and provocative way to not only debunk this preconceived reading of his photography, but to also use it as a tool to give the work a deeper meaning. In each of the photographs, we find Sagat staring away from the camera and into a full length mirror. The reflections we find staring back at him is anything but natural though. They  have been digitally altered so that his face and penis are erased from the image. In doing so François Sagat has taken away the exact things that has made him both desired and judged.

Sagat creates an artificial self image to displace the other artificial image of him that has been created by the spectator. Paradoxically, through making himself more visually generic he has also made himself more important.

 

Hanson and Sagat  make  strong arguments  towards the belief that all human value assignments in regards to individual worth hold there strength in artifice. If societal value can so easily be added or subtracted via the use of simple visual trickery, what makes that value worthwhile in the first place? This is both empowering and disheartening in that the art seems to say that at once we are all equal, but that that sameness holds no intrinsic worth.

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